Saul Levine Movies

Founded under water ... all at sea ... made at land.

On 9/11/2005, Mark Lapore took his own life. I first met Mark at SUNY Binghamton in the fall of 1973, when I took my film production class. Over the...

Impersonations for the camera by Alison Tsoi, Nina Fonoroff, and Saul Levine. Additional camera by Silvia Gruner. (For Pelle Lowe and Luther Price)

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

Directed by Saul Levine.

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

A midsummer daydream. S8mm, color/si, (18fps)

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase...

A confrontational rant addressed to the judges of the films entered in a Super 8 competition at No Exit. Both Mark and I were surprised when not only...

Stan Brakhage with a movie camera. Winter seascapes.

As editor of "New Left Notes", the newspaper of Students for a Democratic Society (SDS), Saul Levine was at the center of multiple radical political...

The first black and white LIGHT LICK. S8mm, b&w/si, (18fps)

A portrait of Amanda Katz (Posner) spinning, weaving and talking. A film about story telling rather than one that tells a story. The VHS copy of this...

"Afternoon idyll with Nancy Frumkin."

Harvard square stroll, talking to myself. Super 8mm / color / silent / 18fps

As the crow flies, as the crow cries, as the crow alites CAWS

Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left –...