Gary Hill Movies

  • 1984
    Why Do Things Get in a Muddle? (Come On Petunia)

    Why Do Things Get in a Muddle? (Come On Petunia)

    Why Do Things Get in a Muddle? (Come On Petunia)

    01984HD

    This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...

    Why Do Things Get in a Muddle? (Come On Petunia)
  • 1966
    Skaterdater

    Skaterdater

    Skaterdater

    5.91966HD

    The film tells a story with no dialogue. The group of boy skaters are suddenly at a point when one of the boys sees a young girl, and becomes...

    Skaterdater
  • 1975
    AXIS

    AXIS

    AXIS

    01975HD

    “I was thinking of the camera as a kind of archeological tool that I could use to dig into or slice through the landscape —one among many...

    AXIS
  • 1977
    Bits

    Bits

    Bits

    01977HD

    Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

    Bits
  • 1976
    Mesh

    Mesh

    Mesh

    01976HD

    A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...

    Mesh
  • 1986
    Mediations (towards a remake of Soundings)

    Mediations (towards a remake of Soundings)

    Mediations (towards a remake of Soundings)

    01986HD

    “The beginning of a remake of an earlier work [Soundings, 1979] in which I wanted to extend the reflexivity of each text in relation to the...

    Mediations (towards a remake of Soundings)
  • 1978
    Mouthpiece

    Mouthpiece

    Mouthpiece

    01978HD

    Dave Jones prototype modules (keyers, color field generators, output amplifier), black-and-white camera, microphone and Serge audio modules (voltage...

    Mouthpiece
  • 2008
    Figuring Grounds

    Figuring Grounds

    Figuring Grounds

    02008HD

    Figuring Grounds – like Tale Enclosure, 1985 – was edited from three hours of recordings made at the Stained Glass Studio in Barrytown,...

    Figuring Grounds
  • 1979
    Resolution

    Resolution

    Resolution

    01979HD

    A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...

    Resolution
  • 1974
    Air Raid

    Air Raid

    Air Raid

    01974HD

    The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images...

    Air Raid
  • 1977
    Bits

    Bits

    Bits

    01977HD

    Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

    Bits
  • 1979
    Soundings

    Soundings

    Soundings

    01979HD

    Two color video cameras, two microphones, Dave Jones prototype modules (input amplifiers, variable soft/hard keyers, output amplifier,...

    Soundings
  • 2003
    Blind Spot

    Blind Spot

    Blind Spot

    02003HD

    Blind Spot constructs a space of living portraiture by “focusing time” on an exchange between the artist (the camera) and a man on the...

    Blind Spot
  • 1977
    Bathing

    Bathing

    Bathing

    01977HD

    In Bathing, as in his Mirror Road, Windows and Objects with Destinations, Hill uses the camera and image processing devices to explore the...

    Bathing
  • 1978
    Sums & Differences

    Sums & Differences

    Sums & Differences

    01978HD

    The basis of this “sound/image construct,” recorded in real time, are three black-and-white still images: a keyboard, a flute, and an...

    Sums & Differences
  • 1980
    Black/White/Text

    Black/White/Text

    Black/White/Text

    01980HD

    Using the phenomenon of inverted (or negative) video feedback, this work constructs a one-to-one correspondence between recited text and image. Black...

    Black/White/Text
  • 1980
    Project Tesla

    Project Tesla

    Project Tesla

    01980HD

    This rarely screened film was used to raise funds for the making of Energy and How to Get It. High-energy physicist Robert Golka was granted a lease...

    Project Tesla
  • 1986
    URA ARU

    URA ARU

    URA ARU

    01986HD

    Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...

    URA ARU
  • 2004
    Gary Hill: I Believe It Is an Image

    Gary Hill: I Believe It Is an Image

    Gary Hill: I Believe It Is an Image

    02004HD

    In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary...

    Gary Hill: I Believe It Is an Image
  • 1988
    Disturbance (among the jars)

    Disturbance (among the jars)

    Disturbance (among the jars)

    01988HD

    Disturbance (among the jars) is a multi-lingual adaptation of selected Gnostic texts from the Nag Hammadi library discovered in 1945/46. The...

    Disturbance (among the jars)